Control Resonant Brings the Oldest House to the Streets of New York

Published on June 22, 2026 | Translated from Spanish

Control Resonant shifts the game's setting from the Oldest House building to the streets of New York. Combat transforms from gunfights to hand-to-hand brawls. The city fills with lights, geometric shapes, and invading creatures, maintaining Control's distinctive visual style. For players, this means an immersive experience where the everyday is distorted, offering a never-before-seen version of the city, combining action and strangeness.

A massive glowing geometric monolith cracks through a Manhattan street, debris suspended mid-air while a figure in a red trench coat delivers a brutal punch to a floating crystalline creature, neon lights distorting across wet asphalt, concrete chunks and shattered glass scattering, abandoned taxis with flickering headlights, surreal floating geometric shapes casting sharp shadows, photorealistic cinematic action scene, high-contrast lighting with deep reds and electric blues, dynamic motion blur, gritty urban textures merging with organic alien forms, ultra-detailed architectural destruction, immersive chaos atmosphere

Combat physics adapts to the urban environment 🏙️

The graphics engine has been adjusted to handle New York's open scale, with a hand-to-hand combat system that takes advantage of street furniture. The developers implemented enemy AI that uses streets and buildings as dynamic cover. Geometric distortions and light patterns are procedurally generated, creating unpredictable encounters. The transition from interiors to exteriors required optimizing texture and shadow loading to maintain fluidity in battles with multiple creatures.

An architect's wet dream with geometric fever 🤯

Walking through this New York is like being inside a graphic designer's caffeine high. Yellow taxis now float, lampposts bend like spaghetti, and the creatures look like they're from a bad PowerPoint trip. Sure, at least New Yorkers don't complain about traffic, because the streets are empty. Well, empty of humans, full of flying cubes that want to smash your face in.