The Interstellar Design of Foundation

Published on January 08, 2026 | Translated from Spanish
Conceptual design of the floating motorcycles and futuristic architecture of Foundation season 3, showing the planet Clarion

When Production Design Becomes an Interstellar Journey

Rory Cheyne, production designer for Foundation, asked the question "When will I design a motorcycle?", which sparked one of the most spectacular sequences in the third season: a flying motorcycle chase over a desert planet. 🏍️✨ This anecdote perfectly defines the spirit of a season that takes sci-fi design to new levels of visual ambition.

According to Cheyne, every element in Foundation must work on three levels: emotional, practical, and narrative. This multidisciplinary approach materializes in the stunning worlds we explore this season, where even the last screw on a ship tells a story.

Planets That Are Characters

The third season presents extreme worlds with unique visual personalities:

The team filmed in real locations in Barcelona, Valencia, and Poland, fusing historical architecture with futuristic elements
Conceptual design of the floating motorcycles and futuristic architecture of Foundation season 3, showing the planet Clarion

Details That Build a Universe

The level of detail in the design reaches its zenith with elements like:

Every design choice responds to narrative needs: the flying motorcycles are not only spectacular but practical vehicles for desert terrains; the luminescent suits protect from extreme cold; and the lounge ships reflect their owners' personalities. 🚀

From Europe to the Galaxy: Earthly Inspiration

The team found inspiration in unexpected places:

This blend of earthly references with futuristic imagination creates a sense of alien familiarity - worlds that seem distant but connect with our visual experience.

Conceptual design of the floating motorcycles and futuristic architecture of Foundation season 3, showing the planet Clarion

Design as a Silent Narrator

The Foundation's evolution from colony to power is reflected in every setting: structures that were provisional are now institutions, but retain that characteristic fragility. Meanwhile, the Empire shows its decay through forgotten spaces and ruined gardens.

As Cheyne aptly says: "In Foundation, design is never decoration". Every curved wall, every suit texture, and every futuristic vehicle is telling part of the story. And if along the way they manage to make a flying motorcycle over a galactic desert take your breath away, all the better. 😉

After this season, it's clear that the true protagonist of Foundation could be its incredible production design, which transforms complex scientific concepts into visually spectacular and narratively relevant experiences.