The National Drama Center premieres Tinieblas, a work by Edurne Rubio where fog is the scenic protagonist. The viewer abandons sight and ventures into the unknown, setting aside control to reconnect in a shared space. There is no classic plot, but rather a sensory exploration of the ephemeral.
Fog as a scenic engine: technical and spatial design 🌫️
The production uses high-density steam generators to create a changing atmosphere that cancels visual references. Directional sound and dim lighting reinforce disorientation, forcing the audience to use touch and hearing. Rubio conceives fog as a living material that reacts to the breathing and movement of attendees, transforming the space into a dynamic organism.
Getting lost in the fog: the perfect excuse not to greet anyone 😈
If you always wanted to disappear during a performance without having to fake interest in the after-party, Tinieblas is your salvation. The play gives you permission to wander like a ghost without direction, and when you reconnect with the rest, you will no longer be alone. Ideal for avoiding awkward conversations: after all, the fog justifies everything.