Quirinale on TikTok: national history with humor and jazz in the background

Published on May 26, 2026 | Translated from Spanish

The Quirinale website has recruited Checco Zalone and Claudio Bisio to narrate the history of the Republic since 1946. A strategy that blends humor and education, seeking to connect with younger audiences. Meanwhile, the centenary of Miles Davis is being celebrated, reminding us that art and entertainment are valid tools for commemorating cultural milestones, without the need for solemn speeches.

Quirinale Palace in digital cartoon style, Checco Zalone and Claudio Bisio dancing jazz in front of a giant touchscreen showing historical timelines since 1946, Miles Davis's trumpet floating with animated musical notes while young people with smartphones record the moment, video editing interface visible with timeline layers and humor effects, background with classic Italian columns mixed with neon lights, cinematic photorealistic style with touches of technical illustration, vibrant and dynamic scene during an educational content recording.

Technology as an ally of institutional memory 🏛️

The use of digital platforms and short formats allows historical data such as the date of the 1946 referendum or the election of the first president to reach scattered audiences. Recommendation algorithms, combined with the virality of comedic sketches, make it easier for complex concepts like the transition from monarchy to republic to be absorbed in seconds. It's not about simplifying, but about adapting the message to current channels, where visual content takes precedence over lengthy text.

If Miles Davis had made a video for the Quirinale 🎺

Imagine Miles Davis improvising a trumpet solo while Checco Zalone explains the difference between a decree-law and a legislative decree. Jazz, like Italian politics, is a matter of rhythm and unexpected agreements. But perhaps the real miracle would be that young people remember the name of the first president of the Republic before the video ends. Or at least that they don't confuse De Gasperi with a trap singer.