Mitsuru Hongo: The Director Who Masters Shin-chan and High Fantasy

Published on May 09, 2026 | Translated from Spanish

With a career spanning decades, Mitsuru Hongo demonstrates that versatility is not at odds with narrative solidity. From the childish antics of Crayon Shin-chan to the meticulous world-building in Ascendance of a Bookworm, this director has skillfully adapted his style to each genre. His ability to prioritize clarity and coherence makes him a reliable craftsman, capable of shifting gears without losing control of the story.

Mitsuru Hongo smiles with a crayon in one hand and an ancient book in the other, surrounded by Shin-chan and a floating castle.

The technical engine behind a seamless narrative 🎬

Hongo does not seek to revolutionize animation, but rather to use its tools with surgical precision. In Ascendance of a Bookworm, the slow pace and attention to detail in the book-making processes elevate the experience. His direction avoids an excess of shots, opting for a functional staging that guides the viewer. In contrast, with Shin-chan, he speeds up the tempo and uses comic repetition as a resource. This ability to modulate visual language according to the source material is his greatest technical strength.

From making poop with Shin-chan to building medieval libraries 📚

One might think that moving from directing a five-year-old obsessed with his buttocks to an epic about a girl who just wants to read books is a death-defying leap. But Hongo does it with the ease of someone changing channels. The same director who choreographed Shin-chan's Ultimate Cannon is the one who makes you emotional over the creation of a rudimentary notebook. If that's not versatility, then let God come down and see it.