Masayuki Kojima: the director who tames monsters and abysses

Published on May 08, 2026 | Translated from Spanish

If there is a director capable of immersing you in the psyche of a serial killer or the depths of a cursed hole, it is Masayuki Kojima. Without fanfare, this Japanese filmmaker earned his place in the history of serious anime. His formula: complex narratives, broken characters, and an atmosphere that envelops you like a thick fog. From Monster to Made in Abyss, his signature is unmistakable.

Masayuki Kojima between shadows and abysses, with a serene gaze and a monster in the background.

The Cinematography of Silence and Shadow 🎬

Kojima understands that what is not seen is as important as what is shown. His technical direction prioritizes the use of elongated shadows and framing that isolates characters, enhancing loneliness or wonder. In Monster, every shot of Tenma in an empty hallway is a lesson in psychological tension. In Made in Abyss, the changing lighting transforms a beautiful landscape into a deadly trap. He does not rely on flashy effects; he prefers a still camera that observes, like a silent witness.

How to Survive a Storyboard Session with Kojima 😅

Imagine being in a meeting room and the boss tells you: Alright, today we adapt a chapter where a child goes mad and a surgeon debates the ethics of euthanasia. But with more shadows. Kojima is not the colleague who invites you for coffee; he is the one who asks you to draw 40 seconds of footage with a single character, looking out a window, and for that to convey existential terror. And the worst part: it works. While other directors ask for explosions, he asks for awkward silence. And we, delighted to suffer.