Dick Parry, the saxophone of Pink Floyd, leaves us at eighty-three

Published on May 25, 2026 | Translated from Spanish

The music world bids farewell to Dick Parry, the saxophonist who poured his soul into Pink Floyd's records. He passed away at the age of 83, and David Gilmour remembered him on social media as a dear friend, highlighting his authentic style. Parry immortalized tracks such as Shine On You Crazy Diamond, Wish You Were Here, Us and Them, and Money. His sound was an essential part of the band's sonic journey.

saxophonist in a vintage recording studio, hands pressing golden keys of a tenor saxophone during a night session, vintage ribbon microphone capturing visible sound waves, analog console with mixing knobs reflecting dim neon lights, sheet music illuminated with handwritten annotations, while a sound engineer adjusts equalizers in the background, retro cinematic style, 35mm film grain, deep shadows and warm highlights, dramatic photographic realism

The technology behind Parry's analog sound 🎷

To understand his impact, we must look at the equipment of the era. Parry used a Selmer Mark VI saxophone, a classic from the 60s, and ribbon microphones like the RCA 44BX. In the studio, analog recording and valve compression gave his wind instrument a warm, dense texture. On Shine On, tape delay and specific equalization created that spatial atmosphere. Without plugins or autotune, it was all air pressure and magnetic tape.

If Parry had recorded with a modern DAW 🎛️

Let's imagine Dick Parry with a modern DAW and a virtual saxophone plugin. Surely the producer would ask him for 37 takes to correct the vibrato with MIDI. Then, a preset of space cathedral reverb. The result: a sound so clean and sterile that not even Roger Waters himself would recognize it. Good thing he recorded when magic was made with breath and tape, not with a mouse.