Project Hail Mary: No Green Screen, but with VFX

Published on March 06, 2026 | Translated from Spanish

The production of Project Hail Mary generated confusion when its co-director, Chris Miller, stated that they did not use green or blue screens. This misinterpreted statement led some to think that the movie lacked digital visual effects. The reality is more technical and nuanced. Miller was referring to the construction of complete physical sets of the ship and the physical presence of the alien Rocky on the set, eliminating the need for chroma keying for those elements. However, CGI was fundamental in other aspects, demonstrating a modern hybrid approach.

Astronaut inside the Hail Mary ship, interacting with the physical environment built for the movie.

Beyond chroma keying: practical sets and digital post-production 🎬

The key lies in differentiating the filming phase from post-production. By building tangible and detailed sets, real lighting and actors' interactions are captured organically, providing a superior photographic base for VFX artists. The absence of chroma key screens does not mean the absence of VFX. Elements like outer space, spacewalks, Rocky's final movement, and many backgrounds were created or enhanced digitally. Additionally, the technique of using different film emulsions to distinguish Earth and space is a photographic visual effect that defines the palette and look before any CGI, planning the final appearance from the filming itself.

The ideal balance between physical and digital ⚖️

The case of Project Hail Mary exemplifies contemporary VFX philosophy: use practical effects when they provide tangible realism and employ digital for the impossible or dangerous. The director's statement does not belittle CGI, but highlights a production choice to achieve a specific result. It is a reminder that quality visual effects are not based on a single technique, but on an integrated strategy where each tool, physical or digital, is used where it is most effective to serve the story and immerse the viewer.

How did Project Hail Mary integrate its visual effects without green screen and what environment capture and compositing technologies were used to create its realistic space scenarios?

(P.S.: VFX are like magic: when they work, no one asks how; when they fail, everyone sees it.)