UPS Destroys Packages Due to Customs Confusion, Reports Say

Published on January 08, 2026 | Translated from Spanish
Krita illustration showing UPS packages being destroyed on a conveyor belt with customs symbols and confusing documents in the background

When International Logistics Turns into a Nightmare

UPS faces serious accusations after numerous reports indicated that the company would be destroying international packages due to confusions in customs documentation. Customers from different countries have reported that their shipments, valued at hundreds and even thousands of dollars, have been shredded or incinerated without prior notice under the justification of customs clearance issues. The situation has generated outrage among small businesses and individuals who rely on the courier service for international operations.

The most concerning aspect, according to the complaints, is that UPS does not properly notify senders about documentation problems, proceeding directly to destroy the packages after a holding period. Many customers only discover the fate of their shipments when they repeatedly contact customer service after weeks without tracking updates. The company's policy on this matter appears to be inconsistent and opaque, varying by destination country and type of merchandise.

Your international package could be one missing document away from becoming corporate confetti

Canvas Setup and Initial Composition

To illustrate this news in Krita, we start by creating a 4000x3000 pixel canvas at 300 DPI, ideal for editorial illustration. We establish a color palette based on UPS's corporate colors—brown and gold—but desaturated to convey the somber nature of the news. The composition is organized around a central conveyor belt that guides the viewer's gaze through the destruction process.

We use adjustment layers from the start to control global contrast and saturation, and create organized layer groups for background, main elements, and effects. The two-point perspective creates depth and emphasizes the industrial character of the scene, while the conveyor belt lines direct attention to the focal points of the illustration.

Creation of the Industrial Environment

The illustration background represents a held packages warehouse with metal shelves full of characteristic UPS boxes. We use metal texture brushes to create industrial surfaces, applying atmospheric blur to distant areas to generate depth. Shipping labels and customs documents are scattered on the floor, some with "HELD" and "INCOMPLETE DOCUMENTATION" stamps in intense red.

On the warehouse walls, we add customs procedure posters with intentionally illegible text to suggest confusing bureaucracy. The lighting comes from industrial fluorescent lights that create pools of light and harsh shadows, reinforcing the cold and impersonal atmosphere of the destruction process. We use Krita's perspective tool to maintain spatial coherence throughout the environment.

In the world of logistics, sometimes paper is worth more than the package contents

Design of UPS Packages in Destruction Process

The UPS packages are illustrated with the iconic brown and gold design, but showing different states of destruction. Some appear violently opened with visible contents—electronics, clothing, documents—while others are partially shredded on the conveyor belt. We use custom tear brushes to create the ragged edges of the boxes, applying intense shadows in the broken areas to maximize visual impact.

The package contents are illustrated with enough detail to be recognizable but without distracting from the main message. Personal objects like family photos, books, and electronic devices emerge from the destroyed packages, adding an emotional charge to the scene. The shipping labels show addresses from different countries, emphasizing the international nature of the problem.

Customs Symbols and Confusing Documentation

The customs elements are represented by universal prohibition symbols, giant question marks, and official stamps with incomprehensible text. We use Krita's text tool to create documents with bureaucratic jargon and forms with red-marked fields as "INCOMPLETE" or "DOES NOT MEET REQUIREMENTS". These elements float around the main scene like paper ghosts haunting the doomed packages.

Directional arrows from traffic and logistics appear twisted in contradictory directions, symbolizing the confusion in the process. A wall clock shows different time zones simultaneously, reinforcing the disorienting nature of international customs procedures. These elements are painted with more saturated colors to contrast with the general palette and act as secondary points of interest.

Lighting and Atmosphere Techniques

The lighting is handled using Overlay mode layers and low opacity airbrushes. We create a main light source from above that illuminates the conveyor belt, while the side areas remain in strategic penumbra. Specular reflections on metallic surfaces are added with brushes in Color Dodge (Luminosity) mode to create controlled highlights.

For the overall atmosphere, we use a Hue/Saturation adjustment layer to slightly cool the colors, creating that cold institutional tone characteristic of warehouses and bureaucratic spaces. Suspended smoke or dust is painted with texture brushes in Overlay mode with low opacity, adding depth and a sense of abandonment and negligence.

Bureaucracy doesn't destroy with fire, but with paper and indifference

Narrative Details and Emotional Elements

We include elements that tell mini-stories within the main illustration: a handwritten letter half-destroyed with visible words like "grandpa" and "medication", a broken medical device emerging from a package, torn family photos. These details humanize the bureaucratic tragedy and transform the illustration from a simple logistics critique into a commentary on the human impact of impersonal systems.

The cast shadows are carefully calculated to maintain coherence with the main light, and are slightly exaggerated on emotionally significant elements to direct the viewer's attention. We use the free transform tool to distort some shadows, suggesting the distorted nature of the process the illustration represents.

Final Finishing and Post-Processing

For the final finish, we apply a film grain texture layer in Overlay mode at 15% opacity to unify all elements. We adjust the global levels to slightly increase contrast in focal areas, and use clipping masks to apply selective adjustments to specific elements without affecting the entire composition.

The context text is added in non-intrusive areas using a typography that evokes official documents, with phrases like "Section 4B not complied with" and "Missing certificate of origin". Finally, we export in PNG format with transparent background for maximum flexibility in editorial uses, keeping the original KRA file with all layers for possible future modifications.

The Message Beyond the Image

This illustration created in Krita not only documents a logistics problem, but visually explores the human consequences of systems that prioritize procedures over people. The destruction of packages becomes a metaphor for how excessive bureaucracy can shred not only objects, but also human connections, business opportunities, and hopes contained in those international shipments.

By using Krita—a free and accessible tool—to create this illustration, we also make a statement about how art can democratize social critique and make visible problems that would otherwise remain hidden in the opacity of corporate procedures.

It seems that in the world of international shipping, the only package that arrives safely at its destination is the one containing the invoice for unrendered services 📦