The Conjuring: Last Rites - The Visual Effects That Bring Paranormal Terror to Life

Published on January 08, 2026 | Translated from Spanish
Digital Domain artists working on VFX sequences from The Conjuring: Last Rites, showing 3D modeling of the giant Annabelle doll, facial animation of Abigail Arnold, and hallway destruction simulations in Houdini and Maya.

The Conjuring: Last Rites - The Visual Effects That Bring Paranormal Terror to Life

The closure of the paranormal saga of Ed and Lorraine Warren arrives with The Conjuring: Last Rites, directed by Michael Chaves and starring Vera Farmiga and Patrick Wilson. What makes this installment truly fascinating is not only the terror it provokes, but the impressive visual effects work that brings supernatural elements to life, such as the 12-foot Annabelle doll and the unsettling expressions of Abigail Arnold. 👻

A Massive Visual Effects Production

Scott Edelstein, production VFX supervisor, relied on Digital Domain to create 425 visual effects shots that combine 3D modeling, animation, texturing, and digital compositing. Using specialized software like Autodesk Maya, Blender, ZBrush, Houdini, Substance Painter, and Nuke, every detail was meticulously designed to maintain the classic atmosphere that characterizes the saga. 💀

Software used in production:
  • Autodesk Maya for base animation and modeling
  • ZBrush for high-resolution digital sculpting
  • Houdini for simulations and destructive effects
Digital Domain reconstructed entire scenes in CG to allow total camera freedom without losing visual coherence

Digital Recreation and Virtual Environments

For complex scenes like the street leading to the haunted house, the artists decided to rebuild everything in CG, including vehicles and digital doubles of the actors. This approach allowed the camera to move freely while maintaining parallax and visual coherence. The environments, from interiors to distant backgrounds, were created with mixed techniques of CG and digital matte painting. 🏚️

Technical achievements in digital recreation:
  • Complete reconstruction of sets in CGI
  • Creation of digital doubles for complex shots
  • Perfect integration between practical and digital elements

Facial Animation and Terrifying Expressions

One of the most delicate challenges was Abigail Arnold's smile. Digital Domain worked closely with Michael Chaves' concept art to achieve a perfect balance between the creepy and the believable. The detailed facial animation required multiple iterations, adjusting every facial muscle so that the expression looked natural in all shots, demonstrating how VFX transforms small details into essential narrative elements. 😨

Key animation processes:
  • High-precision facial muscle animation
  • Multiple iterations to achieve the right emotional balance
  • Integration with the actors' real performances

Supernatural Effects and Realistic Destruction

Elements like the Conjuring Mirror and the hallway destruction represent the best of the VFX work in the film. The mirror crack was rebuilt in CG to maintain visual consistency, while the destructive sequence combined multiple layers of elements - gypsum panels, studs, fixtures, smoke, and additional geometry - all simulated in Houdini and Maya to achieve a visual impact fully integrated with the practical elements. 💥

The Art Behind the Terror

While the audience shudders with Annabelle, the artists at Digital Domain dealt with minutious details like every wrinkle in the giant doll's dress and every reflection in the supernatural mirror. This craft dedication behind the technology demonstrates that even in a world of digital ghosts, the devil is still in the smallest details of the creative process. ✨