Patrimonio Nacional Acquires Three Oil Paintings and a Tapestry for Its Collections

Published on January 11, 2026 | Translated from Spanish
Image showing one of the oil paintings acquired by National Heritage, representing a religious scene from the Spanish school, next to a detail of the 17th-century Flemish tapestry with mythological motifs.

National Heritage acquires three oil paintings and a tapestry for its collections

The institution National Heritage has formalized the purchase of new artistic pieces. It adds three oil paintings and one historical tapestry to its holdings, with a total investment of 132,000 euros. This operation, completed in 2025, aims to enrich the cultural heritage it manages. 🖼️

The works now under National Heritage's custody

The acquired pieces come from private collections and represent a significant qualitative increase. The three oil paintings on canvas depict religious scenes and are attributed to disciples of masters from the Spanish school. The tapestry is a work of Flemish manufacture from the 17th century that illustrates a mythological narrative. All will be incorporated into the institution's holdings.

Destination and function of the new acquisitions:
  • Exhibit the works in the various royal sites under its management.
  • Allow their study by researchers and specialists.
  • Ensure their long-term conservation with the highest standards.
This acquisition reinforces the policy of expanding the collections with works of historical and artistic relevance.

The framework of an active acquisitions policy

This purchase is not an isolated event. It fits into the periodic policy followed by National Heritage to complete and diversify its collections. The entity meticulously evaluates and selects pieces it considers relevant, whether for their artistic value, their connection to the royal heritage, or their historical context.

Key characteristics of the purchase process:
  • The funds used come from the institution's ordinary budget.
  • There is a specific allocation intended to finance these incorporations.
  • The selection prioritizes works that complement existing historical narratives.

An investment in heritage, not an expense

Far from being a whim, this operation represents a documented investment in cultural heritage. In a market where finding quality pieces at a good price is complex, this acquisition represents an opportunity for

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