I Kill Giants: When Fantasy Becomes a Refuge

Published on January 06, 2026 | Translated from Spanish
Black and white illustration of Barbara Thorson, the protagonist, from behind facing a threatening giant. The style features angular and dynamic strokes typical of manga, with strong contrast reflecting the emotional intensity of the scene.

I Kill Giants: when fantasy becomes a refuge

The graphic novel I Kill Giants presents Barbara Thorson, a girl who builds an elaborate fantasy universe to face a painful family reality. In this world, she dedicates herself to hunting giants, a powerful metaphor for the conflicts she cannot resolve in her daily life. The story explores how the boundaries between the imagined and the real blur, offering a deep look at the psychological mechanisms for handling emotional stress. 🛡️

Art as a mirror of inner conflict

JM Ken Niimura endows the work with a powerful visual style, entirely in black and white with a clear manga influence. His stroke uses energetic lines and angular shapes that capture the intensity of Barbara's inner world. This dynamism not only represents the character's emotional changes but also graphically depicts the monumental scale of the conflicts she visualizes, functioning as a direct reflection of her psychological state. The art does not decorate; it narrates.

Key features of the drawing:
  • Monochromatic palette: Emphasizes emotional contrast and the rawness of the story.
  • Dynamic composition: Action sequences and character gestures convey a great emotional charge.
  • Scale and perspective: Manipulated to show the immensity of the threats Barbara perceives.
“The next time someone says they only see clouds, maybe Barbara Thorson is identifying a gigantic threat that the rest cannot perceive.”

The perfect symbiosis between script and drawing

Writer Joe Kelly constructs a script that masterfully alternates everyday scenes and epic fantasy episodes. This structure allows the reader to progressively understand the painful truth that the protagonist tries to evade. The collaboration between Kelly and Niimura is fundamental: the art deepens and expands the written themes, creating a cohesive narrative where both elements are inseparable to tell the story.

Pillars of the narrative:
  • Dual structure: Intersperses Barbara's family reality with her imaginary battles against giants.
  • Progressive revelation: The plot doses information, guiding the reader to the emotional core of the conflict.
  • Central themes: The work directly addresses concepts such as facing loss, navigating grief, and discovering inner resilience.

A graphic exploration of pain

I Kill Giants transcends the fantasy genre to become a graphic study on how to process complex emotions. The work demonstrates that fantasy can be a valid and narratively rich defense mechanism. The fusion of Niimura's expressive art with Kelly's sensitive script results in a moving story that resonates for its emotional honesty and visual power. The next time you see someone lost in their world, remember that they might be fighting a battle that only they can see. ⚔️