The Brussels International Animation Festival, held between February 28th and March 9th, 2025, presented a positive balance in its most recent edition. This event, which brings together professionals and enthusiasts of animated film, consolidated its position as one of the most relevant gatherings of the genre in Europe.
Growth in the Professional Sphere
In its professional section, the festival recorded a 6% increase in the issuance of accreditations, reaching a total of 1125 badges. This increase reflects the growing interest of the industry in participating in spaces dedicated to animation, where the exchange of ideas and collaboration between creators is fostered.
Acceptance by the General Public
On the other hand, general public attendance was also notable, with 30,000 tickets sold and 40 screenings with full houses. Although these figures did not surpass the record set in 2024, they demonstrated the continued interest of audiences in animated film and its ability to attract viewers of all ages.
Awards for Outstanding Works
During the festival, several awards were given to the most outstanding productions. Totto-Chan, the Little Girl at the Window, directed by Shinnosuke Yakuw, won two awards: best feature film and audience award. Meanwhile, Pelikan Blue, by László Csáki, received a special mention, while Life, in General, by Kristina Dufková, was recognized as the best feature film for children. In the short film category, The Night Boots, by Pierre-Luc Granjon, won the award for best children's short film, standing out for its innovative pin-screen animation technique.
Complementary Activities
In addition to the screenings, attendees had the opportunity to participate in various activities. These included a making of of the second season of Arcane, a meeting with the renowned animator Michael Dudok de Wit, who addressed topics related to ecology, and a talk with Anthony Roux from Ankama, who explored the connections between video games and animation. A behind-the-scenes look at the film Flow was also presented, with the participation of Pierre Mousquet and Jonathan Bottazzi, who shared their experience in creating the movie.
A Glimpse at the Next Edition
While awaiting the next edition of the festival, the organizers shared an Aftermovie, a visual summary that captures the essence and atmosphere experienced during the event days. This material serves as a preview and reminder of the creative energy that characterizes the Brussels International Animation Festival.