Adobe After Effects 26.0 Integrates Native Support for Substance 3D Materials

Published on January 21, 2026 | Translated from Spanish
Screenshot of Adobe After Effects 26.0 showing a composition with a Substance 3D material applied to a metallic logo, with the material parameters exposed in the effects panel.

Adobe After Effects 26.0 Integrates Native Support for Substance 3D Materials

The new version 26.0 of Adobe After Effects introduces a highly anticipated feature: built-in support for Adobe Substance 3D materials. This changes how artists work with complex textures in motion graphics and VFX. 🎬

Working with Substance Materials in the Timeline

Now you can drag files with the .sbsar extension directly from Adobe Bridge or the file explorer to your composition. These materials behave like adjustment layers, affecting all layers below in the stack. The great advantage is being able to animate any material parameter directly in the timeline.

Key advantages of this integration:
  • Animate textures like wear, color, or relief over time without pre-rendering.
  • Eliminate the need to use external applications to generate static texture maps.
  • Maintain a non-destructive and fully procedural workflow.
Changes to the source .sbsar file are automatically updated in the composition if you keep the link.

Improved Performance and Optimized Workflow

After Effects' rendering engine uses the GPU to process Substance materials, making previews much more interactive and fast. This integration eliminates tedious intermediate steps in production.

How it optimizes the creative process:
  • Access and apply procedural textures from Substance without leaving After Effects.
  • See real-time updates when you modify the original material in Substance Designer.
  • Speed up the creation of complex and detailed visual effects.

A New Standard for Motion Graphics

This update brings the power of procedural and physically accurate Substance textures to the world of animation and motion graphics. Now you can spend time perfecting every detail, from rust on metal to the polish on plastic, knowing that the client might request a change to a completely new look at any moment. The creative paradox remains, but now with more powerful tools. 🔧