After the destruction of all broadcasters in Gaza, the territory had been without a local voice for more than two years. Sylvia Hassan, a journalist and war widow, changed this with Hona Ghazza. This radio station, broadcasting from a small studio in Deir al-Balah, was born to reflect the reality of the streets. Hassan, displaced several times, maintains that only those who live the conflict can narrate its pain. The initiative arises in a context where the local population perceives that others decide their future.
A radio studio in extreme conditions ⚡
The technical infrastructure of Hona Ghazza is set up with whatever is available. The studio, in an undisclosed location for security reasons, operates with basic equipment and relies on generators and satellite internet connections to keep the signal on air. The priority is portability, given the possibility of a new displacement. The broadcast is complemented by social networks to expand its reach, overcoming the limitations of traditional radio frequency in a territory with frequent power outages.
The definitive news coverage: no light, but with mic 🎙️
In a twist on field journalism, Hona Ghazza has redefined the concept of a mobile studio. It's not about a van with state-of-the-art equipment, but about knowing which cable to save first when the siren sounds. Its bandwidth is just enough for a clear voice, prioritizing content over audio quality. They demonstrate that to tell a story, sometimes a microphone, an external battery, and the stubbornness to not be silent are enough.