The Hellboy universe expands with a new series titled The Foundry. Set in London in 1891, this story introduces a secret organization dedicated to investigating supernatural phenomena. Under the leadership of agent Ana Gley, the team faces a threat involving a mysterious boy and strange creatures. Mike Mignola, along with Chris Roberson and Christopher Mitten, promises to explore new corners of his mythological world.
Building a myth in Victorian panels 🎩
The Foundry represents a methodical expansion of Mignola's canon. Chris Roberson, as co-creator and writer, is in charge of weaving the narrative, ensuring coherence with the established tone and mythology. Christopher Mitten brings the visual style, adapting the characteristic aesthetic of the universe to the oppressive and foggy atmosphere of Victorian London. This teamwork aims to create a standalone story that, nevertheless, integrates into the broader fabric of Hellboy's legends.
Supernatural problems and Victorian solutions ☕
One wonders how they handled these paranormal crises before the modern bureaucracy of the B.P.R.D. Surely the Victorian protocol for a golem attack involved a formal complaint letter and a strong cup of tea. Presumably, Ana Gley and her team will have to deal with terrifying creatures and, likely, the social rigidity of the era. A meeting to plan an assault on a hellish dimension surely required etiquette and a proper hat.